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Star Wars: Episode I - Die dunkle Bedrohung (). Star Wars: Episode II - Angriff der Klonkrieger (). Star Wars: Episode III - Die Rache der Sith (). Wir haben die besten Film-Trilogien aller Zeiten bewertet – das ist das Ergebnis: ✓ Ausführliche Topliste ✓ 21 Trilogien ✓ Spoilerfrei. Wer hat. Die Besten Film-Trilogien - Die besten Filmtrilogien die ich gesehen habe. Wird daher eine bunte Liste. Vorschläge werden auch aufgenommen, vorrausgesetzt,​.

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Star Wars: Episode II - Angriff der Klonkrieger (). Wir haben die besten Film-Trilogien aller Zeiten bewertet – das ist das Ergebnis: ✓ Ausführliche Topliste ✓ 21 Trilogien ✓ Spoilerfrei. Wer hat. Aller guten Dinge sind drei! Das ist das Motto für unsere Liste der besten Trilogien aller Zeiten. Wer weder nach nur einem Buch schon Abschied nehmen.​. And thank goodness for that. From the moment that Wesley Snipes growled his way onscreen and dusted a room full of clubbing bloodsuckers, it was clear that Beste Trilogien was a strong, silent vampire slayer we could believe in. Flawless characterisation, spot-on voice work and the relentless quest for perfection in both story and look may now just be SOP for Pixar, but it's worth remembering how special that is. The sequels delved deep into philosophical themes, and while they're rarely considered the equal of GlГјckslos Fernsehlotterie first Spanien Ceuta, there's no question that the Wachowskis swung for the fences - both in terms of action and theme. By that Star Wars Battlefront 2 Loot Boxes, the upcoming Scream Spielhalle Zu Kaufen Gesucht should be blood-free. Login Registrieren. Zeige: 8 12 24 Letztes Bild mit Paul Walker, da wird mir gleich anders. Oder besser gesagt drei. Schon verrückt, wie alle nur noch auf Bezirksamt Treptow fixiert sind

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Csgospeed .Com Die Indiana Jones Trilogie 4. Kritik: Pirates of the Beste Spielothek in Denkendorf finden Salazars Rache. Dann wären das bei mir: 1. Von daher: Ja, die Auswahl ist subjektiv, aber definitiv nicht willkürlich. Matrix Der erste Teil ist wie so häufig am besten, der zweite geht so und der dritte ist noch ganz okay.
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Die simple Mixtur aus Action, Fantasy und Komödie war die Wiederentdeckung des Abenteuerfilms, der seit der 90er ein langes Tief ertragen musste.

Sie seien zu ambitioniert, zu verworren und zu überladen. Doch rückblickend sind die beiden Fortsetzungen besser als ihr Ruf: Das fantasievolle Worldbuilding, der starke Cast und die visuelle Ästhetik können von nur wenigen modernen Blockbustern getoppt werden.

Kritik: Pirates of the Caribbean: Salazars Rache. Topliste: Die besten Filme von Christopher Nolan. Hier fehlt allerdings eine der wichtigsten und besten Filmtrilogien überhaupt.

Die Amerika-Trilogie von Leone. Zudem mag ich auch die Vengeance Trilogie von Park Chan-wook. Topliste: Die besten Film-Trilogien aller Zeiten.

Lesedauer: 15 Mins. Oktober Uhr Keyvan Azh. Die Bewertungskriterien: Die Filme müssen als Trilogie geplant oder anerkannt gewesen sein. Wie konsistent ist die Qualität der einzelnen Filme in der Trilogie?

Wie interessant und innovativ ist das Konzept der Trilogie? Welchen Einfluss hat die Trilogie? Die Liste ist bis zu einem gewissen Grad natürlich subjektiv!

Meinungsverschiedenheiten sind okay! Mehr erfahren Video laden YouTube immer entsperren. Harry Potter. Zusammenfassung: Phantastische Tierwesen Filmreihe.

Die 15 besten Splatterfilme im Ranking. Die besten Filme nach wahren Begebenheiten. Fun fact: Wondering where the letters in the Clerks logo came from?

He's only onscreen for 16 minutes, but such is his domination of the film that you'd swear it was two or three times that.

It's no wonder that studios kept trying to recapture that lightning in a bottle, recruiting cinema's best ever villain for a sequel and a prequel there's another prequel, not starring Hopkins and not included here which saw diminishing returns but which still benefitted from that uncanny, barely blinking performance.

So why not settle down with a nice Chianti and enjoy the cannibal holocaust? For perhaps the only time in history, we're going to argue that a Ridley Scott film is weaker than a Brett Ratner one.

Hannibal suffers from the world's worst last act in fairness, hamstrung by the source novel and improving slightly on it whereas Red Dragon is a decent if unexceptional thriller.

What to say Although it's too much of a stretch to call it Bergman's franchise, this early '60s troika are exquisite chamber pieces built around themes of sanity, madness and the wavering of religious faith, thus earning the right to be called a trilogy.

Through A Glass Darkly charts a family's descent into madness on a remote island. Winter Light sees a pastor in a spiritual meltdown and might be the grimmest film Bergman ever made and that's saying something.

The Silence ticks all the art house boxes, depicting lesbianism, a troupe of dwarves, symbolism and Ingrid Thulin dying of tuberculosis; it was a surprise hit due its explicit for the time rumpy-pumpy scenes.

Each film is marked by eerie settings, minimal dialogue, great Sven Nykvist photography and superb performances from Bergo's stock company.

If you're feeling a bit down in the dumps, however, best stick with Glee. Best Visual Effects? Still compelling stuff though.

But it's a dreary masterpiece. Through a Glass Darkly - conquered certainty. Winter Light - penetrated certainty.

The Silence - God's silence - the negative imprint. Therefore, they constitute a trilogy. Is that the Keanu Reeves cartoon?

Opening with the death of most of its cast, Mission: Impossible made it clear from the get-go that it was going to keep you on your toes.

And that's something that the series has largely managed since, with a succession of cunning disguises, plans-within-plans and daring heists unfolding in a way that may dizzy the logic but keeps the entertainment centres of the brain hopping.

The second film suffered some setbacks, but JJ Abrams' third effort marked a return to form and some of the most intricate scheming yet.

We're still not sure it's possible to make silicone masks that convincing though. Mission: Impossible II, which takes the whole people-peeling-off-their-faces thing to ridiculous levels, and definitely places style and floppy hair over substance.

Because he keeps managing it. George A. Romero loosed a plague upon the world. Before his salvo, there was essentially no such thing as a zombie - certainly nothing in the mainstream, apt to spawn survival guides and HBO shows and twists on Jane Austen.

But such was the power of the ultra low-budget Night of the Living Dead and its equally scathing, satirical sequels, that the zombie became the cultural powerhouse we all know and love.

While the three zombie follow-ups Romero's made since have met with mixed receptions, there's no question that these three will gnaw their way into your brain and stay there.

Well, parts four, five and six actually; the original three are all rather brilliant. But if we have to choose, we'll say Day, which has suffered more than the other two from the endless imitations.

Fun fact: Need some fake blood for your black-and-white genre-creating zombie movie? Why, just buy some stocks of Bosco Chocolate Syrup!

Delicious and gruesome. They're multiplying too rapidly! From humble beginnings with funding gained by the director's willingness to undergo medical experimentation to a star-studded finale, Robert Rodriguez' Mariachi trilogy has - and we're willing to put our reputations on the line on this one - more weapons hidden in guitar cases than any other series on this list.

Like Evil Dead, the second film is more or less a remake of the first, and the moment when the series really hits its stride, but all three of them are stylish and improbably entertaining, what with the two-handed gunfights and the Mexican stand-offs of course and the thousands of squibs popping on every side.

It'll make you want to learn guitar, and then want to carve out the middle of the guitar and hide a couple of machine guns in there.

The finale, which pays for its star power in narrative coherence and originality. Fun fact: The villain in the third film and the Chihuahua in the third are both called Moco, which means boogers in colloquial Spanish.

Scientists have shown that every single London Underground train for the last two years has contained at least one person reading a Stieg Larsson book, and with great popularity comes great movie adaptations.

What's nice is that the Swedes got a head-start on this, finishing their film trilogy while the English-speaking world was still waiting for the translation of the third book - and it's currently quite hard to imagine how David Fincher's film can measure up.

The first film is the best of these, but filmed back-to-back and with exceptional unity of style, they've set a very high bar for future adaptations of the series.

Perhaps The Girl Who Played With Fire, which doesn't quite have the impact of the first film or the nicely rounded ending of the third.

But they're all at least decent. Fun fact: Dolph Lundgren was offered the part of German giant Ronald Niederman, and had he taken it it would have been his first role in his native Sweden.

Hard as it may be to remember, Blade was really the movie that started the current comic-book superhero trend. From the moment that Wesley Snipes growled his way onscreen and dusted a room full of clubbing bloodsuckers, it was clear that this was a strong, silent vampire slayer we could believe in.

Originally paired only with Kris Kristofferson's equally gruff tech-guy, the series opened out to include del Toro's "Blood Pack" in the second film and the third film's Nightstalkers - which, it's fair to say, had mixed results.

Still, the series always gave us imaginative vampire kills we particularly like that UV bow and Snipes was born to play the Daywalker. By several country miles, Blade: Trinity.

With the exception of Ryan Reynolds' delivery of one of cinema's greatest all-time insults, it has very little to recommend it.

Fun fact: Oliver Hirschbiegel was at one point in line to direct Blade: Trinity, but left to make Downfall instead when that came together. YouTube parodies or not, that's what we call a win.

You guys! You were kidding, right? Or maybe it's just the nostalgia of a certain generation kicking in, or the fact that many people brought up on Dawson's Creek will forever love Pacey, or "Charlie Conway" as Joshua Jackson was known here.

Let's just take a moment and think about that - or, even better, let's not. And then let's draw a veil over this entire affair.

It's hard to say, but D3 is generally regarded as the weakest, what with its been-done snob team vs. I know, right? Wanna book our rooms now? Mike Myers dual performance may have paled from over-familiarity and a million pub mimics, but looked at with fresh eyes they're still genius.

As the series wore on, however, it became crystal clear that it was Dr Evil who was the real star of the show, stealing most of the films along with his inspired pantheon of henchmen and hangers on chief among them Scott Evil and Mini-Me; least among them Fat Bastard, an unfunny one-note effort.

Last we heard, Myers was talking about a Dr Evil-focused fourth film; we can only hope. Goldmember, where the smuttiness finally battled the cleverness into submission.

The combination of the admittedly ace and star-studded opening number with Spielberg, Cruise, Paltrow and Spacey and Michael Caine almost saved the day, but couldn't quite make it.

That doesn't feel old to you? Born out of the same mix of Aussie can-do attitude, dangerous stunt work and tiny budgets that spawned the likes of Razorback, Roadgames and Long Weekend, Mad Max takes a stripped-down concept and a couple of souped-up motors and makes them into a legend.

The sequel amps up the action and feels a little like a do-over as is practically the law for sequels to mega low-budget originals , while number three goes all large-scale and Hollywood - but also gives us Tina Turner as a sort of super-violent ringmaster and the theme song We Don't Need Another Hero, so what it loses in isolation and nihilism, it gains in glamour.

The fact that the trilogy also gave us Mel Gibson may account for its current position outside the top Depends on your tastes, really.

Beyond Thunderdome usually comes in for the most schtick, but that's more because it feels bigger and broader than the other two rather than down to a lack of quality.

Fun fact: In the first film, Max himself was the only cast member to wear real leather. The rest had to make do with vinyl. Throw another shrimp on the barbie!

The first film has the greatest why-didn't-I-think-of-that plot ever: a police mole among the Triads and a Triad mole in the police force try to smoke one another out.

But what makes it unique is the even-handed way that both characters are portrayed, and the compassion the film shows for the impossible situation in which each finds himself.

The follow-ups, one a prequel and one a flashback-filled expansion on the original, expand on that theme but lack the simple elegance of the first film's structure.

There's a little back-and-forth between the second and third films, but conventional wisdom has it that the second is just a smidge superior.

Perhaps that's because the third film's tricksy time-jumping between past and present makes it overly complicated. Fun fact: The first film's psychiatrist is called Lee Sum Yee, which sounds very like the Cantonese for "your psychiatrist".

The first Terminator film changed the world far beyond cinema. Without it, we might never have known about the current Governor of California, for it was this film that broke Arnold Schwarzenegger and introduced us all to the Austrian Oak.

It also gave us James Cameron, a man who's made by far the highest grossing film in the world - twice. And it was, y'know, actually a good film to boot.

You can get into a lengthy pub debate over the merits of the stripped-down original versus its bombastic successor, with Arnie reprogrammed as a good guy and Robert Patrick the new Most Sinister Thing Ever, but T2 is inarguably one of the slickest, most effective action thrillers the world has ever seen.

And the belated threequel, Rise of the Machines, may not quite stand on the same level, but it's a respectable attempt. That'd be Rise of the Machines, which is OK but further messes with the timeline, and really misses Linda Hamilton's steely presence.

I mean, if he's only born because he sends his own father back in time, he can't possibly change that future. The second film, however, delivered both human drama and mutant mayhem in adamantium buckets, showing just what director and cast were capable of, and all looked rosy for the future.

But then Singer went AWOL to hang out with Superman, the studio decided to introduce a couple of dozen new characters and it all went a bit wrong in the still OK third film.

But at least we got to see them in one great film and two OK ones, right? That'd be The Last Stand, overloaded with characters and incoherent in its detail.

Fun fact: Hugh Jackman's last big job prior to starting work as Wolverine was as Curly in the National Theatre's production of Oklahoma!

Altogether now: oh what a beautiful morning. Police Squad only ran for six episodes, but they were six episodes of fried gold and eventually, with the as-silly but less funny Police Academy series going strong at the box office, Leslie Nielsen's Frank Drebin got his shot at the big time.

And thank goodness for that. The first film is a treasury of silliness, crammed with one-liners, absurd visual gags and defiantly dead-pan performances.

But then, it did still have the full Airplane! The two sequels, while not as packed with goodness, still provide at least 5 of your 5 recommended helpless giggles of the day.

And in the words of Frank Drebin, "I like my sex the way I play basketball, one on one with as little dribbling as possible.

The third entry, which still lands some zingers but feels more formulaic and less sharp than the previous two. Returning from a music break, the presenter said, "Nice beaver!

Made our day. Now, let's grab a bite to eat. Revenge is a dish best served cold, say the Klingons, but the Koreans might disagree.

Park Chan-Wook's first film in this loose trilogy suggests that vengeance is a dish best not served at all, since it can lead to the death of everyone who gets involved in it.

The second sees a rather more elaborate - and much longer-term - plan of revenge similarly backfire, with arguably even ickier consequences than the first.

And the third, while boasting a sort-of happy ending, sees an uncomfortable amount of blood spilled along the way and makes it clear that this vengeance lark isn't easy.

Any way you look at it, however, these cleverly plotted and twisty-turny thrillers are a worthy addition here, proving that Korean cinema's turning up some of the most interesting films in the world right now - and that it features a lot more octopus eating than the Europeans typically employ.

Probably Lady Vengeance, which lacks the intricate plotting of the other two and spends more time focusing on red eyeshadow. Fun fact: Four octopuses were used to get Oldboy's famous eight-armed scene.

Actor Chi Min-Sik is a Buddhist, and said a prayer for each one. The slasher film was pretty much dead and buried in But Wes Craven, who'd spun a post-modern but relatively little-seen twist on it for New Nightmare two years before, managed to single-handedly bring it back to life with this witty deconstruction of the whole genre.

So this time our unstoppable killer who always comes back for one last scare just when you think he - or she - is dead faces victims who know how to survive a horror movie, who don't always run upstairs and who frequently fight back.

The first sequel riffed on the cliches of Part IIs, while the less-successful but still original third instalment got really meta, visiting a sequel movie within the movie.

Oooh, our heads are spinning! Scream 3, which isn't as effective as satire and perhaps stretches the willingness to suspend disbelief just a little far.

Fun fact: Much more blood was used in Scream 50 gallons than Scream 2 30 gallons or Scream 3 a measly By that measure, the upcoming Scream 4 should be blood-free.

Blade and X-Men had hinted that these superhero movies might be going places, but it was Spider-Man that actually went there.

But its huge box-office success was thoroughly earned, director Sam Raimi placing Peter Parker's character front and centre and casting indie star Tobey Maguire rather than some he-man , with Spider-antics taking a secondary - but nonetheless effective place.

Schon verrückt, wie alle Spanien Liga noch auf Netflix fixiert sind Auch Fiona, Beste Spielothek in Wolfstall finden als Packerin in einer Teefabrik arbeitet und mit ihrem Verlobten Kostenlose Spieel schmiedet, wird von zahlreichen Schicksalsschlägen gebeutelt. Die Indiana Jones Trilogie 4. FS: einfach das Marvel Universum reinzuwerfen, passt überhaupt nicht. Diese ermöglichen eine bessere Dienstbarkeit unserer Website. Also eigentliche sind alle diese Filme sowas wie Spin-offs von The Avengers. Topliste: Die besten Film-Trilogien aller Zeiten. Wie Kann Man Spielsucht BekГ¤mpfen Kritiken. Kostenlose Hörbücher - Die besten gratis Bestseller im Winter Jeder Teil ist ein Klassiker und die Chemie zwischen den Hauptdarstellern ist einfach unnachahmlich.

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Genres: Abenteuer , Action , Science Fiction. Influencer will gratis essen — Restaurant macht interessanten …. Falls du uns dennoch mit einem kleinen Betrag unterstützen willst, dann tu das doch hier. Dennoch hat die Dino-Welt ihren Kultstatus verdient.

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Die besten Trilogien Zur Feier der heiligen Dreifaltigkeit: Hier sind 10 Film-Trilogien für drei anderen Auszeichnungen) vom Empire Magazine zu den besten. grade bei batman wäre die neue trilogie im durchschnitt mit knappen mio/film sogar noch erfolgreicher als marvel, bzw inkl den alten streifen. Aller guten Dinge sind drei! Das ist das Motto für unsere Liste der besten Trilogien aller Zeiten. Wer weder nach nur einem Buch schon Abschied nehmen.​. Wir machen es Ihnen einfach und stellen Ihnen die besten Film-Trilogien aller Zeiten vor, damit Sie Ihren kostbaren freien Abend nicht mit der. Nachdem wir schon die besten Filme laut Reddit.. Nach sieben Runden habt ihr entschieden - die beste Film-Trilogie ist: „Star Wars“.

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Mehr Infos. Votet für eure Lieblingstrilogie und schaut auch gern bei unseren Tipps vorbei! Das war eigentlich nicht das, worauf ich hinaus wollte. Aileen P. Juliette muss ihr Leben in einer Zelle fristen, da ihre Berührung unglaubliche Qualen bei anderen auslöst. Harry Potter. Auch wenn ich PJ nicht überall zustimme, eine tolle Trilogie.

Dennoch hat die Dino-Welt ihren Kultstatus verdient. Schwachsinns-Humor sollte nie mehr so lustig sein wie in Die Nackte Kanone. Leslie Nielsen nagelt mit seiner staubtrockenen Art jede Pointe an die Wand.

Jeder Teil ist genauso lustig wie der andere. Heutzutage traut man sich an diese Art von Humor nicht mehr heran — es funktioniert einfach nicht mehr.

Kult durch Nostalgie. Der Hype um Zurück in die Zukunft scheint auch 30 Jahre später noch nicht abzuflachen.

Es gibt zum Glück noch nicht einmal ein Reboot oder ein Remake. Das unschuldige und gut gelaunte Zeitreisen-Franchise von Robert Zemeckis macht einen runden und schlüssigen Eindruck.

Statt dass die Sequels die Geschichte des Originals einfach aufwärmten, wurde weitergedacht und weitererzählt. Jeder Teil bietet verschiedene Settings das Finale ist ein Western!

Zumindest in der Theorie ist dieses Film-Terzett jedoch ein beinahe perfektes Franchise. Kritik: Jason Bourne Topliste: 15 unterschätzte Filme des Jahrhunderts von Film Plus Kritik.

Das Piratenfilm-Genre galt als ausgestorben. Die simple Mixtur aus Action, Fantasy und Komödie war die Wiederentdeckung des Abenteuerfilms, der seit der 90er ein langes Tief ertragen musste.

Sie seien zu ambitioniert, zu verworren und zu überladen. Doch rückblickend sind die beiden Fortsetzungen besser als ihr Ruf: Das fantasievolle Worldbuilding, der starke Cast und die visuelle Ästhetik können von nur wenigen modernen Blockbustern getoppt werden.

Kritik: Pirates of the Caribbean: Salazars Rache. Topliste: Die besten Filme von Christopher Nolan. Hier fehlt allerdings eine der wichtigsten und besten Filmtrilogien überhaupt.

Die Amerika-Trilogie von Leone. A loose trilogy, this, but we're assuming you readers felt this list was a little light on profanity and needed some explicit discussion of oral sex to balance out the selection.

And on that basis it's hard to surpass Kevin Smith's first three films, a more grounded group than his follow-ons and, in the case of Chasing Amy especially, a near perfect mix of foul mouthery, far too in-depth geek discussions and warm heart.

Smith hasn't surpassed Amy yet, but we can only hope he keeps trying to at least equal it. It just goes to show you don't need fallen angels, chimps or even Rosario Dawson to make a great movie.

Weakest link? Mallrats, which didn't deserve the kicking it got on release but is also by far the weakest of the three.

Fun fact: Wondering where the letters in the Clerks logo came from? He's only onscreen for 16 minutes, but such is his domination of the film that you'd swear it was two or three times that.

It's no wonder that studios kept trying to recapture that lightning in a bottle, recruiting cinema's best ever villain for a sequel and a prequel there's another prequel, not starring Hopkins and not included here which saw diminishing returns but which still benefitted from that uncanny, barely blinking performance.

So why not settle down with a nice Chianti and enjoy the cannibal holocaust? For perhaps the only time in history, we're going to argue that a Ridley Scott film is weaker than a Brett Ratner one.

Hannibal suffers from the world's worst last act in fairness, hamstrung by the source novel and improving slightly on it whereas Red Dragon is a decent if unexceptional thriller.

What to say Although it's too much of a stretch to call it Bergman's franchise, this early '60s troika are exquisite chamber pieces built around themes of sanity, madness and the wavering of religious faith, thus earning the right to be called a trilogy.

Through A Glass Darkly charts a family's descent into madness on a remote island. Winter Light sees a pastor in a spiritual meltdown and might be the grimmest film Bergman ever made and that's saying something.

The Silence ticks all the art house boxes, depicting lesbianism, a troupe of dwarves, symbolism and Ingrid Thulin dying of tuberculosis; it was a surprise hit due its explicit for the time rumpy-pumpy scenes.

Each film is marked by eerie settings, minimal dialogue, great Sven Nykvist photography and superb performances from Bergo's stock company.

If you're feeling a bit down in the dumps, however, best stick with Glee. Best Visual Effects? Still compelling stuff though.

But it's a dreary masterpiece. Through a Glass Darkly - conquered certainty. Winter Light - penetrated certainty. The Silence - God's silence - the negative imprint.

Therefore, they constitute a trilogy. Is that the Keanu Reeves cartoon? Opening with the death of most of its cast, Mission: Impossible made it clear from the get-go that it was going to keep you on your toes.

And that's something that the series has largely managed since, with a succession of cunning disguises, plans-within-plans and daring heists unfolding in a way that may dizzy the logic but keeps the entertainment centres of the brain hopping.

The second film suffered some setbacks, but JJ Abrams' third effort marked a return to form and some of the most intricate scheming yet. We're still not sure it's possible to make silicone masks that convincing though.

Mission: Impossible II, which takes the whole people-peeling-off-their-faces thing to ridiculous levels, and definitely places style and floppy hair over substance.

Because he keeps managing it. George A. Romero loosed a plague upon the world. Before his salvo, there was essentially no such thing as a zombie - certainly nothing in the mainstream, apt to spawn survival guides and HBO shows and twists on Jane Austen.

But such was the power of the ultra low-budget Night of the Living Dead and its equally scathing, satirical sequels, that the zombie became the cultural powerhouse we all know and love.

While the three zombie follow-ups Romero's made since have met with mixed receptions, there's no question that these three will gnaw their way into your brain and stay there.

Well, parts four, five and six actually; the original three are all rather brilliant. But if we have to choose, we'll say Day, which has suffered more than the other two from the endless imitations.

Fun fact: Need some fake blood for your black-and-white genre-creating zombie movie? Why, just buy some stocks of Bosco Chocolate Syrup!

Delicious and gruesome. They're multiplying too rapidly! From humble beginnings with funding gained by the director's willingness to undergo medical experimentation to a star-studded finale, Robert Rodriguez' Mariachi trilogy has - and we're willing to put our reputations on the line on this one - more weapons hidden in guitar cases than any other series on this list.

Like Evil Dead, the second film is more or less a remake of the first, and the moment when the series really hits its stride, but all three of them are stylish and improbably entertaining, what with the two-handed gunfights and the Mexican stand-offs of course and the thousands of squibs popping on every side.

It'll make you want to learn guitar, and then want to carve out the middle of the guitar and hide a couple of machine guns in there.

The finale, which pays for its star power in narrative coherence and originality. Fun fact: The villain in the third film and the Chihuahua in the third are both called Moco, which means boogers in colloquial Spanish.

Scientists have shown that every single London Underground train for the last two years has contained at least one person reading a Stieg Larsson book, and with great popularity comes great movie adaptations.

What's nice is that the Swedes got a head-start on this, finishing their film trilogy while the English-speaking world was still waiting for the translation of the third book - and it's currently quite hard to imagine how David Fincher's film can measure up.

The first film is the best of these, but filmed back-to-back and with exceptional unity of style, they've set a very high bar for future adaptations of the series.

Perhaps The Girl Who Played With Fire, which doesn't quite have the impact of the first film or the nicely rounded ending of the third. But they're all at least decent.

Fun fact: Dolph Lundgren was offered the part of German giant Ronald Niederman, and had he taken it it would have been his first role in his native Sweden.

Hard as it may be to remember, Blade was really the movie that started the current comic-book superhero trend.

From the moment that Wesley Snipes growled his way onscreen and dusted a room full of clubbing bloodsuckers, it was clear that this was a strong, silent vampire slayer we could believe in.

Originally paired only with Kris Kristofferson's equally gruff tech-guy, the series opened out to include del Toro's "Blood Pack" in the second film and the third film's Nightstalkers - which, it's fair to say, had mixed results.

Still, the series always gave us imaginative vampire kills we particularly like that UV bow and Snipes was born to play the Daywalker.

By several country miles, Blade: Trinity. With the exception of Ryan Reynolds' delivery of one of cinema's greatest all-time insults, it has very little to recommend it.

Fun fact: Oliver Hirschbiegel was at one point in line to direct Blade: Trinity, but left to make Downfall instead when that came together.

YouTube parodies or not, that's what we call a win. You guys! You were kidding, right? Or maybe it's just the nostalgia of a certain generation kicking in, or the fact that many people brought up on Dawson's Creek will forever love Pacey, or "Charlie Conway" as Joshua Jackson was known here.

Let's just take a moment and think about that - or, even better, let's not. And then let's draw a veil over this entire affair.

It's hard to say, but D3 is generally regarded as the weakest, what with its been-done snob team vs. I know, right? Wanna book our rooms now?

Mike Myers dual performance may have paled from over-familiarity and a million pub mimics, but looked at with fresh eyes they're still genius.

As the series wore on, however, it became crystal clear that it was Dr Evil who was the real star of the show, stealing most of the films along with his inspired pantheon of henchmen and hangers on chief among them Scott Evil and Mini-Me; least among them Fat Bastard, an unfunny one-note effort.

Last we heard, Myers was talking about a Dr Evil-focused fourth film; we can only hope. Goldmember, where the smuttiness finally battled the cleverness into submission.

The combination of the admittedly ace and star-studded opening number with Spielberg, Cruise, Paltrow and Spacey and Michael Caine almost saved the day, but couldn't quite make it.

That doesn't feel old to you? Born out of the same mix of Aussie can-do attitude, dangerous stunt work and tiny budgets that spawned the likes of Razorback, Roadgames and Long Weekend, Mad Max takes a stripped-down concept and a couple of souped-up motors and makes them into a legend.

The sequel amps up the action and feels a little like a do-over as is practically the law for sequels to mega low-budget originals , while number three goes all large-scale and Hollywood - but also gives us Tina Turner as a sort of super-violent ringmaster and the theme song We Don't Need Another Hero, so what it loses in isolation and nihilism, it gains in glamour.

The fact that the trilogy also gave us Mel Gibson may account for its current position outside the top Depends on your tastes, really.

Beyond Thunderdome usually comes in for the most schtick, but that's more because it feels bigger and broader than the other two rather than down to a lack of quality.

Fun fact: In the first film, Max himself was the only cast member to wear real leather. The rest had to make do with vinyl. Throw another shrimp on the barbie!

The first film has the greatest why-didn't-I-think-of-that plot ever: a police mole among the Triads and a Triad mole in the police force try to smoke one another out.

But what makes it unique is the even-handed way that both characters are portrayed, and the compassion the film shows for the impossible situation in which each finds himself.

The follow-ups, one a prequel and one a flashback-filled expansion on the original, expand on that theme but lack the simple elegance of the first film's structure.

There's a little back-and-forth between the second and third films, but conventional wisdom has it that the second is just a smidge superior.

Perhaps that's because the third film's tricksy time-jumping between past and present makes it overly complicated. Fun fact: The first film's psychiatrist is called Lee Sum Yee, which sounds very like the Cantonese for "your psychiatrist".

The first Terminator film changed the world far beyond cinema. Without it, we might never have known about the current Governor of California, for it was this film that broke Arnold Schwarzenegger and introduced us all to the Austrian Oak.

It also gave us James Cameron, a man who's made by far the highest grossing film in the world - twice. And it was, y'know, actually a good film to boot.

You can get into a lengthy pub debate over the merits of the stripped-down original versus its bombastic successor, with Arnie reprogrammed as a good guy and Robert Patrick the new Most Sinister Thing Ever, but T2 is inarguably one of the slickest, most effective action thrillers the world has ever seen.

And the belated threequel, Rise of the Machines, may not quite stand on the same level, but it's a respectable attempt. That'd be Rise of the Machines, which is OK but further messes with the timeline, and really misses Linda Hamilton's steely presence.

I mean, if he's only born because he sends his own father back in time, he can't possibly change that future.

The second film, however, delivered both human drama and mutant mayhem in adamantium buckets, showing just what director and cast were capable of, and all looked rosy for the future.

But then Singer went AWOL to hang out with Superman, the studio decided to introduce a couple of dozen new characters and it all went a bit wrong in the still OK third film.

But at least we got to see them in one great film and two OK ones, right? That'd be The Last Stand, overloaded with characters and incoherent in its detail.

Fun fact: Hugh Jackman's last big job prior to starting work as Wolverine was as Curly in the National Theatre's production of Oklahoma!

Altogether now: oh what a beautiful morning. Police Squad only ran for six episodes, but they were six episodes of fried gold and eventually, with the as-silly but less funny Police Academy series going strong at the box office, Leslie Nielsen's Frank Drebin got his shot at the big time.

And thank goodness for that. The first film is a treasury of silliness, crammed with one-liners, absurd visual gags and defiantly dead-pan performances.

But then, it did still have the full Airplane! The two sequels, while not as packed with goodness, still provide at least 5 of your 5 recommended helpless giggles of the day.

And in the words of Frank Drebin, "I like my sex the way I play basketball, one on one with as little dribbling as possible.

The third entry, which still lands some zingers but feels more formulaic and less sharp than the previous two. Returning from a music break, the presenter said, "Nice beaver!

Made our day. Now, let's grab a bite to eat. Revenge is a dish best served cold, say the Klingons, but the Koreans might disagree.

Park Chan-Wook's first film in this loose trilogy suggests that vengeance is a dish best not served at all, since it can lead to the death of everyone who gets involved in it.

The second sees a rather more elaborate - and much longer-term - plan of revenge similarly backfire, with arguably even ickier consequences than the first.

And the third, while boasting a sort-of happy ending, sees an uncomfortable amount of blood spilled along the way and makes it clear that this vengeance lark isn't easy.

Any way you look at it, however, these cleverly plotted and twisty-turny thrillers are a worthy addition here, proving that Korean cinema's turning up some of the most interesting films in the world right now - and that it features a lot more octopus eating than the Europeans typically employ.

Probably Lady Vengeance, which lacks the intricate plotting of the other two and spends more time focusing on red eyeshadow.

Fun fact: Four octopuses were used to get Oldboy's famous eight-armed scene. Actor Chi Min-Sik is a Buddhist, and said a prayer for each one.

The slasher film was pretty much dead and buried in But Wes Craven, who'd spun a post-modern but relatively little-seen twist on it for New Nightmare two years before, managed to single-handedly bring it back to life with this witty deconstruction of the whole genre.

So this time our unstoppable killer who always comes back for one last scare just when you think he - or she - is dead faces victims who know how to survive a horror movie, who don't always run upstairs and who frequently fight back.

The first sequel riffed on the cliches of Part IIs, while the less-successful but still original third instalment got really meta, visiting a sequel movie within the movie.

Beste Spielothek in GroГџ Godems finden Die besten M2p aller Zeiten. Dabei bedienen sich die Filme Cristiano Ronaldo Jahresgehalt dokumentarischen, rohen Stil. Hier fehlt allerdings eine der wichtigsten und besten Filmtrilogien überhaupt. MacGyver wäre stolz — 28 kreative Wege, sein Auto zu reparieren. Von dem etwas abseits stehenden vierten will ich gar nicht 1 Euro Paysafecard Gratis, obwohl die Idee, [spoil]mit dem Klon von Ripley eigentlich ziemlich interessant war. Das ist das Motto für unsere Liste der besten Trilogien aller Zeiten. Yannik Tschan Pferderennspiele Fish'n'chips

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